Ghanaian rapper D-Black has shared his frustrations with the current state of the country’s music royalty collection system, calling for significant changes to ensure that musicians receive the compensation they deserve.
In an interview with Ghanaweb, the rapper and business mogul expressed a strong belief that existing organizations, such as the Musicians Union of Ghana (MUSIGA), Ghana Music Rights Organization (GHAMRO), and the Copyright Society of Ghana (COSGA), have failed to fulfil their roles effectively.
D-Black stated, “First thing, we don’t have a royalty collection society that is accountable, so I will shut down MUSIGA, GHAMRO, and COSGA and restructure a new body to take over the role that they are supposed to play because the royalty collection society for musicians and producers in Ghana isn’t doing what they are supposed to do.”
His comments reflect a deep-seated dissatisfaction with the management and transparency of these organizations, which are meant to protect artists’ rights and ensure they receive fair compensation for their work.
The rapper highlighted that despite various leadership changes within MUSIGA, tangible improvements for musicians have been lacking.
“We have seen different presidents come and go, but there is nothing we can speak about at the top of our voices that we can clap and say this body has done something tangible for musicians in our country,” he lamented.
This critique underscores a broader issue within the Ghanaian music industry, where many artists feel neglected and under-supported.
D-Black further emphasized the need for education within the music industry, particularly for business executives. He remarked, “I will educate the music industry, especially business executives on how the industry has changed over the years.”
He believes that many artists rely on friends or acquaintances as managers, which can lead to mismanagement and missed opportunities.
“A lot of training has to go into that to make our industry viable,” he added, stressing the importance of professionalism and proper management in navigating the evolving landscape of the music business.
As the conversation surrounding artist rights and revenue distribution continues to gain traction, D-Black’s proposals represent a potential turning point for the Ghanaian music scene.
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