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People Mistook Me for Samini, So I Decided to Switch My Style – Skrewfaze Opens Up

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, Ghana Street Journal

In a recent interview with Amansan Krakye on Property FM, Hiplife star Skrewfaze, whose real name is Jehoshaphat Eshun, opened up about his journey to carve out his unique musical identity in the vibrant landscape of Ghana’s music scene.

He recounted how the constant comparisons to fellow artist Samini pushed him to explore new styles and ultimately led him to embrace a distinct sound that resonates with his roots.

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“I felt like let me also switch my style and find my own identity because people were always mistaking me for Samini,” Skrewfaze shared, acknowledging that while the comparisons were flattering—given Samini’s legendary status—they also overshadowed his individuality.

In an industry that thrives on innovation and originality, Skrewfaze recognized the importance of standing out and presenting his unique artistry to the world.

Reflecting on his musical influences, Skrewfaze paid homage to Ivorian musician Freddy Meiway, whose catchy tunes and infectious rhythms have made waves across West Africa.

“Big shout to Freddy Meiway because at Chorkor and the typical Ga areas, we used to hear his songs and people really danced to it,” he expressed.

The lively atmosphere surrounding Meiway’s music inspired Skrewfaze to embrace a similar approach while incorporating his own cultural nuances.

One aspect that struck Skrewfaze was the way audiences danced to Meiway’s hit song, “Zoblazo,” despite not fully understanding the language.

“What I found amusing was that people were dancing to the Freddy Meiway Zoblazo song but they never understood the language,” he noted.

This observation sparked a realization for Skrewfaze about the power of music to transcend language barriers. It was a moment of clarity that underscored the significance of rhythm and melody in connecting people, regardless of their linguistic backgrounds.

Read Also: Is This the Ghana Nkrumah Left Us? Skrewfaze’s Passionate Plea for Environmental Accountability

“I realized they were vibing to the melody, the rhyme, and the beats, so if Ghanaians can vibe with this beat, why can’t I also switch to this francophone style and interlace it with my own language?” Skrewfaze mused.

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