Bisa Kdei has addressed a growing narrative that labels his music as funeral songs.
In an interview with Adom TV’s Maame Boatemaa, he expressed his frustrations about the negative attention, stating, “People who have nothing better to do follow foolish trends. Someone started this agenda on Twitter, and it caught on.”
Despite the backlash, Bisa Kdei defended the impact of his music, pointing out the cultural significance of funeral songs in Ghana.
“Isn’t it true that funeral songs are some of the most popular in Ghana? We talk too much sometimes. Instead of supporting those who are working hard, some people make social media a platform for unnecessary comments,” he remarked, buzzing entertainment news in Ghana in the process.
His calm demeanour during the interview reflected his understanding that, while criticisms may surface, the essence of his work and its reception is what truly matters.
“It doesn’t bother me when they call my music funeral songs,” he stated, adding, “It’s how they try to make it a huge agenda that’s annoying.
“Other than that, I don’t care. Everyone is built to talk about someone, but how you handle it is what matters.”
Bisa Kdei’s journey into the music industry began in 2012 when he released his debut album, Thank You, which marked the start of his rise to fame.
Known for his soulful voice and emotive lyrics, he quickly garnered attention with hits like “Mansa” and “Brother Brother.”
His style blends traditional highlife with contemporary influences, making his music relatable and enjoyable across different demographics.
His most notable tracks often explore themes of love, loss, and nostalgia, resonating deeply with fans. Songs like “Mansa” have dominated airwaves, capturing the hearts of many and further cementing his place in the Ghanaian music scene.
His ability to evoke emotion through his lyrics and melodies has played a crucial role in his success and popularity.
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