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Ghana Has No Real Music Industry- Showboy Declares

Published on

, Ghana Street Journal

Ghanaian musician and social media influencer Showboy recently made waves with his bold statements about the state of the music industry in Ghana.

In an interview on Hitz FM monitored by Ghanastreetjournal, Showboy, who has just returned from a stint in a U.S. prison, didn’t hold back his criticisms of the local music scene.

Laughing when asked about the industry by Dr Pounds, Showboy remarked, “The music industry is virtually nonexistent in Ghana.”

He pointed out the scarcity of comprehensive shows and concerts for musicians to capitalize on, noting that aside from festive occasions like Christmas, opportunities for artists to monetize their work and performances are few and far between.

“We only have Christmas to look forward to if we want to make some money off our music. The rest of the year, there’s really nothing substantial,” he emphasized.

Read Also: Americans have ‘mafiad’ our industry- Okyeame Kwame

Showboy’s critique didn’t stop there. He argued that the lack of consistent and dynamic opportunities makes it challenging to claim the existence of a real music industry.

“How can we say we have a music industry when our artists have to wait for Christmas just to earn something? It’s like saying we have a football league when we only play matches once a year,” he added, drawing a sharp analogy to underscore the absurdity of the situation.

Showboy, born Samuel Safo, is a prominent figure in Ghana’s music scene. He gained fame as part of the AMG Business crew and later pursued a solo career, becoming a notable social media personality known for his outspoken views. His journey hasn’t been without its hurdles.

In 2018, Showboy was sentenced to prison in the United States for his involvement in a violent altercation. Despite this setback, he has maintained his presence in the music industry, using his experiences to fuel his artistic expression.

His comments have sparked conversations among industry stakeholders, many of whom agree that more needs to be done to support Ghanaian artists.

His observations highlight the necessity for structural changes that include regular events, better support systems for artists, and opportunities for musicians to earn a living throughout the year.

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