The controversy surrounding the Creative Arts Agency has taken center stage following allegations by media personality Kwasi Aboagye.

According to him, Gyankroma Akufo-Addo, daughter of former President Nana Akufo-Addo, has reportedly stripped the agency’s office of its furnishings after her father’s exit from power.

This has sparked discussions about the state of creative arts governance in Ghana. Here are five key takeaways from the developing story.

1. The Creative Arts Agency Was Established Under Akufo-Addo’s Government

The Creative Arts Agency was set up in 2020 under Act 1048 during the Akufo-Addo administration. Gyankroma Akufo-Addo was appointed to oversee its operations. The agency was initially housed near the Jubilee House but was later relocated to Kanda, where it continued its activities.

2. Gyankroma Allegedly Used Personal Funds to Furnish the Office

Kwasi Aboagye claims that Gyankroma personally financed the furnishing of the agency’s office. This raises concerns about the government’s commitment to the creative sector, as the state should have been responsible for equipping its own agency rather than relying on an individual.

3. Office Stripped After Leadership Change

Following the change in government, reports suggest that Gyankroma removed all items she had purchased for the office. This action has led to the space being left empty, effectively disrupting the agency’s operations. The Bureau of Languages, the original owners of the building, has since reclaimed the property.

4. Kwasi Aboagye Blasts the Handling of the Creative Arts Sector

Expressing his frustration on Peace FM’s Entertainment Review, Kwasi Aboagye criticized Akufo-Addo’s administration for failing to properly support the creative arts industry. He argued that the government’s neglect forced Gyankroma to personally finance the office setup, only for everything to be taken back after power shifted.

5. The Incident Raises Bigger Questions About Creative Arts Support in Ghana

The controversy has sparked broader discussions about the state of creative arts governance in Ghana. If a government agency is dependent on private individuals for basic office resources, what does this mean for the future of creative arts development in the country?

As the debate continues, many are calling for accountability and a sustainable plan to ensure that institutions like the Creative Arts Agency are adequately funded and supported—regardless of which government is in power.

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