Shatta Wale’s collaboration with global icon Beyoncé on the hit song Already remains a defining moment in Ghana’s music history, but opinions about its impact continue to divide audiences.
The topic resurfaced during a recent discussion on Angel FM, igniting passionate arguments about the Dancehall artist’s international status and career trajectory.
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For some panellists, the partnership with Beyoncé serves as undeniable proof of Shatta Wale’s global recognition. They argued that such a historic achievement transcends any claims that he is merely a “local champion.”
“Beyoncé doesn’t work with just anyone,” one supporter emphasized. “This collaboration put Ghana on the map in a way no other artist has.”
However, entertainment critic Sally Mann took a different stance, questioning the true significance of the collaboration. She argued that despite the hype, the deal came with limitations that restrict Shatta Wale’s freedom to fully capitalize on the song.
“Let’s face it,” she said. “Have you ever seen him perform ‘Already’ live anywhere? He can’t because the rights aren’t his. Even this celebrated collaboration was tightly controlled.”
Her remarks sparked a sharp exchange with the host, a staunch defender of Shatta Wale, who dismissed her criticism as baseless. “No matter what you say, his reputation is untouchable,” the host declared.
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Undeterred, Sally countered with a more pointed critique. “He’s struggling to stay relevant, and that’s why he’s always chasing attention.
“Now he’s clinging to collaborations with emerging artists just to stay in the game.”
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